The Tempest vs. Macbeth - Free Essay Example

Sample details Pages: 3 Words: 982 Downloads: 4 Date added: 2019/07/26 Category Literature Essay Level High school Tags: Macbeth Essay The Tempest Essay William Shakespeare Essay Did you like this example? In Shakespeares The Tempest and Macbeth, supernatural elements and magic are quite prevalent throughout the stories. From witches to spirits readers experience these other worlds that Shakespeare creates in his writing. The way magic is used and represented in these two plays is very different. Magic in Macbeth is used to show evil and darkness while the magic in The Tempest is far more natural and follows the laws of nature. The very first people in Macbeth that speak are the three witches. They are seen chanting and seemingly predicting future events. The play is set up right away with this idea of the supernatural world. The witches put you right into a place of magic and wonder. The strategic use of the witches at the beginning tells you that magic will be a part of the play. The witches being used as foreshadowing agents allows the readers to get the supernatural essence that the characters bring. They end the first scene with the famous line Fair is foul, and foul is fair: Hover through the fog and filthy air (1.1, 12-13). As the play progresses into the third scene, Macbeth states So foul and fair a day I have not seen (1.3, 137). By using the exact same words as the witches used in scene one, it clearly shows that the witches have these powers to see into the future. Banquo even refers to the witches as instruments of darkness and they are symbolized as evil beings (1.3, 236). Another way that mag ic and the supernatural is symbolized as evil in Macbeth is with the floating dagger. In the first scene of act two Macbeth is plotting the murder of Duncan in order to fulfill the witches prophecies. While this plotting is happening, Macbeth sees a dagger floating towards him. As Macbeth gets his first look at the dagger he says, Is this a dagger which I see before me, the handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible to feeling as to sight? Or art thou but a dagger of the mind, a false creation, proceeding from the heat-oppressed brain? I see thee yet, in form as palpable as this which now I draw (2.1, 613-620). It is unclear if this is a hallucination or a ghostly omen, but this proves to the audience that the supernatural occurs whenever something evil is stirring. As the play continues into act three after the murder of Banquo we see his ghost appear during the banquet. Macbeth is the only one wh o can see Banquos ghost, so this begins to show Macbeths mental state in the play. I believe Banquos ghost is used to represent all the crimes that Macbeth has committed. Overall, the supernatural elements in Macbeth are used to depict evil and darkness. Don’t waste time! Our writers will create an original "The Tempest vs. Macbeth" essay for you Create order In The Tempest the magic doesnt feel as dark and sinister as it does in Macbeth. The story of The Tempest really revolves around magic and the plot wouldnt exist without it. While the magic of this show really drives the plot, it is also used as a tool to mesmerize its audience. Several of the characters in this play have magical powers. Perhaps the most central magical character is Prospero. His magic is not evil, nor does it represent evil in the story. In act one Prospero says The direful spectacle of the wreck, which touched the very virtue of compassion in thee, I have with such provision in mine art so safely ordered that there is no soulNo, not so much perdition as an hair, Betid to any creature in the vessel (1.2.33-38). This proves that Prospero has been thoughtful in the fact that he is trying to make sure that everyone is safe. So, even though his magic may seem to be bad, his intentions are good and he wants to make sure that everyone is safe in the process. The magic of The Tempest is different because instead of representing something evil, Prosperos true purpose is to use mans natural born goodness to create change a potential path of evil and turn it into something good. His powers allow him to manipulate what happens in the story and gives him the power to affect peoples lives and relationships. After reading The Tempest, I considered Prosperos magic more as a use of metaphorically being the playwright of the story. His powers allow to essentially control everything that is going to happen to the people around him, therefore seemingly being the puppet master to this entire story. This is different from Macbeth because the magic or supernatural elements dont necessarily drive the plot of the story. They are just there to be symbolic elements. Whereas The Tempest would not exist without magic. In the fourth act Prospero says Our revels now are ended. These our actors, as I foretold you, were all spirits and are melted into air, into thin air; and like the baseless fabric of this vision, the cloud-capped towers, the gorgeous palaces, the solemn temples, the great globe itself, ye all which it inherit, shall dissolve, and, like this insubstantial pageant faded, leave not a rack behind. We are such stuff as dreams are made on, and our little life is rounded with a sleep (4.1.165-175). This to me is very representative of theater and storytelling, thus proving that Prospero could be a metaphor for a playwright. Shakespeare was great at incorporating magic and the supernatural world into his stories. What is more amazing though is that he was able to incorporate it into multiple stories and making them completely different. Macbeth and The Tempest may have both included supernatural elements, but they couldnt be more different stories. Macbeth was able to tell a darker story with its supernatural elements while The Tempest went in a completely different direction with its magic.

Go Tell It On The Mountain Analysis - 755 Words

Charles Scruggs’ essay, The Tale of Two Cities in James Baldwins Go Tell it on the Mountain, also addresses how occupants should escape their invaders. The crux of his essay focuses on Baldwin’s juxtaposition of a celestial city with an earthly city through the church and New York, respectively. Moreover, his comments about characters’ interactions with the two cities bolsters the arguments within this paper. First, consider his comments about John and his relationship between the two cities: â€Å"Thus coming of age, John is torn by a dilemma. He desperately wants to embrace the earthly city to escape Gabriel’s circumscribed world, but he cannot free himself from seeing this city through Gabriel’s eyes† (4) and â€Å"Ironically, John cannot†¦show more content†¦Also, Elisha’s family does not restrain him, like John’s. Therefore, Elisha does not suffer from internal battles between his desires and his family’s d emands. Hence, biological homes do not reside on land or in the mind, but in the blood. How is one to escape an invader, when they takeover one’s blood? Well, from Scruggs’ essay, it is safe to conclude that death is not a viable path for escape. His comments on Richard, John’s biological father, surrounding the scene where Richard is mistaken as a thief, illuminates this point: It is this conversation, not the beatings in jail, which broke Richard’s spirit and caused him to commit suicide. The very structure of his life had been called into question. He discovered, to his dismay, that he had built his house upon a marsh. No matter how smart he is, he remains a ‘n*****.’ Richard’s death changed Elizabeth. New York now became in her mind the City of Destruction. (12) Richard’s lack of visibility, which restricts him to his racial status and home (New York), is the impetus behind his suicide. Unfortunately, Richard does not unfetter his chains by escaping life and entering death. Instead, he only transfers his chains to Elizabeth, and successfully double-binds her to the domicile. Before, Elizabeth was a black woman, but now she is a black woman, pregnant with an illegitimate child with no father, and alone. Effectively, Richard’s decision only exacerbates Elizabeth’s condition. As opposed to addressing his invader,Show MoreRelatedEssay on Analysis of an Xterra Advertisement1227 Words   |  5 PagesAnalysis of an Xterra Advertisement With red letters one and a half inches tall, this advertisement screams â€Å"Couch for sale.† In this advertisement, the advertisers want the consumer to sell their couch. It is an automobile they are trying to sell me. Why would I need to get rid of the furniture in my house? 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How does Malvolio connect to disguise and deceit in Act 2 Scene 5 Free Essays

In Act II Scene VI, we are exposed to seeing Malvolio in a different light. Firstly, we see he deceives himself, ultimately playing the role of the person he thinks he is capable of becoming. Then we see that Maria and her cohort are deceiving Malvolio, by playing a prank on him just so they can make a fool out of him for always being so bitter and serious; and lastly we see how they encourage this foolish act and what consequences it brings. We will write a custom essay sample on How does Malvolio connect to disguise and deceit in Act 2 Scene 5? or any similar topic only for you Order Now To begin with, we can identify that the name ‘Malvolio’ consists of two elements â€Å"Mal† and â€Å"Volio† which are Italian words, with the meaning â€Å"ill will† suggesting his disregard of others’ pleasures. I believe that Shakespeare particularly gave this character this name, as it allows us to have a greater insight of the kind of character Malvolio is from the beginning of the play. At the beginning of Act II Scene VI we are see an intimate conversation between Sir Toby and Fabian, coming together to watch Malvolio and Maria’s prank. Sir Toby asks â€Å"Wouldst thou not be glad to have the niggardly, rascally sheep-bitter come by some notable shame? Essentially pointing out that they are pulling a prank on Malvolio and asking him if he is glad he is going to see this ‘rascal dog’ humiliated. From the very start we see a connection between deception and Malvolio, and how Sir Toby and Fabian are associated with the scheming prank as well. We also see more of Malvolio’s bitterness mentioned when Fabian tells Sir Toby, â€Å"I would exult man. You know he brought me out o’favour with my lady about a bear-baiting here†, suggesting that he is very excited as Malvolio also told the lady of the house that he was arranging a bear-baiting once. This conversation suggests that the two other servers of the house are fed up with Malvolio’s attitude and plan to punish him in a way that will completely embarrass him. Malvolio’s attitude is fundamentally the only reason why he is connected to disguise and deception. Also, his self-loving personality convinces him he is capable of rising higher in the society, which is what leads to him playing the role of Olivia’s husband. Then later we see that his bitterness leads him into a humiliating prank pulled by Maria and the other workers of the house. As Maria enters the scene, we discover that she’s been scheming this prank and encourages the others to go watch, as she is fully confident it will work. She informs Sir Toby and Fabian to go hide behind the box tree and, â€Å"Observe him, for the love of mockery for I know this letter will make a contemplative idiot of him.† This emphasizes how Malvolio is the central character in this scene being deceived by all the other characters. Maria also refers to Malvolio as ‘trout’ on its way to gobble up bait, â€Å"†¦ For here comes the trout that must be caught with tickling†. This animalistic language creates a distinctive image of Malvolio. It could suggest that the bait is Olivia, and that Malvolio is so easily directed when lead by Olivia. It could also suggest that ‘tickling’ so easily catches Malvolio into complete humiliation. Act II Scene VI provides a greater in-sight on how ‘self-loving’ Malvolio really is. In the beginning of this scene we see that Malvolio is playing a role in the same way Olivia and Orsino were earlier in the play. Therefore we can see that not only is Malvolio being deceived by others, but is also deceiving himself. Malvolio instantly exposes us to this role, saying â€Å"Maria once told me she did affect me, and I have heard herself come thus near, that should she fancy it should be one of my complexion†. This portrays Malvolio’s outspoken confidence, as he is convinced Maria would like a man like himself, although we are aware that Malvolio’s fantasy is a pose without possibility. Sir Toby who is listening over Malvolio’s conversation calling him an â€Å"overweening rogue† quickly supports this. Malvolio then shifts to the possibility of being ‘Count Malvolio’ for which Sir Toby and Fabian believe is an unrealistic desire for a servant so bitter and low in the society, responding within themselves â€Å"Ah, rogue†. Although, Malvolio speaks of his strong belief in the possibility, referring to ‘Lady Strachy’ who married her wardrobe manager. This idea of Malvolio deceiving himself acts as entertainment for Sir Toby and Fabian who are simultaneously deceiving Malvolio. Both Sir Toby and Fabian show their great satisfaction saying â€Å"O, peace! Now he’s deeply in. Look how imagination blows him† which once again reinforces how unrealistic Malvolio is and how he is playing a role. Shakespeare shows that while Malvolio continues to imagine a marriage with Olivia, Sir Toby and Fabian continuously interrupt this image with their opposing comments such as â€Å"Fire and brimstone† and â€Å"O, peace, peace!† implying that they aren’t taking this seriously because Malvolio is on his high horse. Furthermore, we see that Malvolio is also deceived by the ‘letter’ that is supposedly written by Olivia, however is a prank planned by Maria. The clash between Malvolio and the remaining characters is the central motivation for the prank. From the previous scene, we see that Malvolio breaks up their party, although it does not seem to be Malvolio’s fault considering they were being rather disrespectful. This is what provokes Maria and her cohort into scheming revenge against Malvolio. As Twelfth night is a play that celebrates chaos, Malvolio doesn’t reflect this idea but presents himself as the puritanical, self-loving, pleasure-hating character which strongly contrasts against the alcohol-loving, pleasure-loving characters of Maria and her cohort. Following this role of being Olivia’s husband, Malvolio finds the letter written by Maria, which matches exactly what he’s been doing. Personally I believe the irony of finding the letter after being lost in the illusion of being Count Malvolio is what makes Malvolio believe the letter is for him. This is the last aspect of deception that connects to Malvolio in Act II Scene VI. While Malvolio is sure that â€Å"This is my lady’s hand† mentioning â€Å"†¦these be her very c’s, her u’s and her t’s,..† Sir Andrew mocks Malvolio for what he is actually saying, almost in disbelief that he can be so easily deceived. He somehow finds a link between â€Å"M.O.A.I†¦.† by saying that â€Å"M† is for Malvolio, concluding that the letter was meant for him. However as Malvolio reads on we see the letter is handing him exactly what he was imagining before, as Malvolio believes its from Olivia saying, â€Å"By my birt h I rank above you, but don’t be afraid of my greatness. Some are born great, some achieve greatness, and some have greatness thrust upon them† which again encourages Malvolio into believing the possibility of being Count Malvolio. The letter specifically asks Malvolio to do everything he wouldn’t usually do, therefore it can be viewed as a disguise. Malvolio therefore disguises himself under the ‘desired’ appearance and personality Olivia tells him of in the letter, which easily convinces Malvolio that this will lead him to his desires. Focusing specifically on the letter, it tells Malvolio to be rude, to talk about politics and act free and independent, to also wear yellow stockings and crisscrossing laces up his legs, and to remember that a happy life is waiting for him, and if he doesn’t want it he should act like his old bitter self. Although this letter is deceiving Malvolio, its also Malvolio’s connection to disguise, as he begins to follow what the letter orders to please Olivia and because this isn’t the norm for Malvolio it can be interpreted as a form of disguise. Maria’s prank works because it plays off of Malvolio’s weaknesses, which is his self regard, his wish for a higher social rank and his delusions that Olivia might actually feel something for him. All of this is meant to teach Malvolio a lesson, and perhaps punish him for his bitterness and self-pride. It should outline his foolishness for even falling into the prank and potentially highlight to Malvolio some of his faults. Disguise and deception are closely linked in this scene, as one follows the other. How to cite How does Malvolio connect to disguise and deceit in Act 2 Scene 5?, Papers

Cultural Tradition Essay Research Paper In Western free essay sample

Cultural Tradition Essay, Research Paper In Western Cultures, the church instructions influenced the manner people died and offered them hope for their hereafter. Peoples believed that we will all decease. Towards the terminal of the 20th century nevertheless, decease became a ver private event. Peoples denied decease. The people of the Medieval Period would set cemeteries on the exterior of towns except for those people of particular award were buried within the precincts of the town. These people were concerned about the public assistance of the dead psyche. As clip passed, the dead became associated with the church, and everyone would be able to be buried at that place. Charnel houses were subsequently formed. This was like a gallery of the dead where their castanetss would be puting and viewed by people. Graves were frequently opened to give those castanetss up to the church for safe maintaining until the clip of Resurrection. Around the 12th century, memorials were shortly shown in order to continue the individuality of the deceased. By the clip of the Renaissance, imposts for memorialising the dead became really of import. Burials began to take topographic point in graveyards off from churches. The Dance of Death came approximately in the ulterior portion of the thirteenth and early portion of the 14th century. It was fundamentally influenced by the pestilence that killed 1000s. The dance was expressed as a narrative through play, music or even poesy. The significance was that decease comes to all people, no affair how high up you are in rank. Mexicans still observe this dance today at a festival called The Day of the Dead. Native Americans view decease as a natural procedure. The Cree people say good-bye s before they go anyplace merely in instance something unexpected could go on. Some people compose decease vocals that tell about at that place near decease experience or about their life if the close dead is composing one. I found the Cherokee s belief s really interesting. They believe in four psyches and four phases of decease, the last psyche deceasing after one twelvemonth. The Cherokee say they should take attention of the burial topographic point for up to one twelvemonth while the psyche is still alive. Anytime after that, it can be neglected. Native American s see the dead to be guardian liquors and the burial topographic point is considered sacred. The Cocopa believe in burying the dead with ownerships. They besides put in nutrient and vesture thought that they will utilize this in their hereafter. At the entombment, household members hold something similar to a s ance. They summon liquors of ascendants that purportedly go into another organic structure to speak to them. On the other manus, the Hopi people want the ceremonials done and over with. These people fundamentally want to bury it all. The Nandi in Kenya from the African people believe in a life phase that a male goes through up until decease. It seems as Tho ugh they look at the individual as being reincarnated after decease. Music is frequently played at African funerals as to give a conclusiveness of decease. Those in forenoon frequently give the dead a message to take onto the following universe. Another interesting fact that I came across was the LoDagaa people carry on funerals to at least a six-month period and they sometimes continue on for old ages. This is because they excessively, similar to the Cherokee people, believe in four phases of decease. There are many other civilizations of different folks and people described in my reading, but I have found the one s that I have talked about so far to be the most interesting. The Aztec s of the Mexican civilization would execute forfeits. Death is described as rousing from a dreamlike being and seen as an equaliser. The Aztec s believe people die in an order of the manner the have lived their lives. The Day of the Dead as I stated earlier is an juncture for Communion for those living and dead. Food is served and it is like one large party. Families set an excess topographic point at the dinner tabular array for each dead kid. At morning, they decorate the grave citation with flowers and threads. Peoples bring nutrient and sit around the grave and eat with the dead. This goes on all dark. Asiatics have a great trade of regard for their ascendants. Chinese people formed the yin-yang, which every bit described as a whole is made up of the life and the dead. Chinese funerals are similar to the LoDagaa in Africa holding specific mourning garb foregrounding the grade of affinity. Like Mexicans, the Chinese besides have a particular festival observing their ascendants. The Japanese besides have a twenty-four hours of jubilation based on Buddhist constructs. Most funerals in Japan are normally Buddhist ceremonials. Families invite the Buddhist priests into their places after the ceremonial to pray for their loved 1. The asleep is besides given a Buddhist name, which is inscribed on a tablet and placed, in the households place. Peoples believe that the spirit lingers within their place for 49 yearss so their psyche is prepared for enshrinement. Seven hebdomadal ceremonials are aid within these 49 yearss. Memorial ceremonials are held on the one-hundredth twenty-four hours aft er decease and on the first and 3rd day of remembrance. They are on fixed intervals from there on traveling up to the 50th day of remembrance. Shrines are besides put up in the place in award of the dead. Chinese imposts are similar to the Nipponese imposts. Most imposts and patterns held for the dead has a batch to make with faith or tradition. Our civilization every bit good as all others have learned to cover with decease in different ways and we all go about it otherwise. Ancestors pass down their rites to each coevals and that is how each of us learns the patterns to continue the dead and maintain their memory alive.